Seems to me like they pulled it after a friendly call from Graham's lawyers... as well as all of their VE merch. dPulse sent out a friendly and vague little statement about "It is time for us to put the past in the past and for dPulse and the VE legacy to part ways for good. We enjoyed working with VE on the project and wish them the best luck with the new PWEI. We realize that the removal of all VE merchandise must seem very abrupt, but we always knew this day would come and the timing just worked out that way."
I still wish I'd known about it sooner. It may be an ugly piece of PWEI history, but it is now the rarest piece of poppie merchandise in existense (autographed obscurities excluded of course).
The reason the 3-4 discs that exist (as well as all the discs from dPulse) are the way they are is because they don't press/burn these themselves. They use a service like CDBaby that presses the disc and prints the sleeves to order. This is pretty normal these days for any album that is going to sell less than 20,000 copies because it's the only way to remain profitable.
I've listened to it myself and it does have some valuable moments that I'm glad I've heard. The track 1 F-in and Fightin is pretty much the jam and much better than all the other versions (in my opinion) with it's much grittier approach. I didn't care much for the version of Seek and Destroy, it's too busy by far and doesn't have the hard edged cohesion of the New Noise version. The whole "Evil Mantra" version of "The Way I Feel Inside" thing is pretty cool... it's still a dumb track, but it's neat to hear. I like the "Equals Zero" version on New Noise far better than "Retro Dreaming" (nothing to do with the quality, it's about the way the lyrics flow with the music better now and how they cleaned out some of the miscellaneous sound effects that cluttered it up). Old Skool Cool (Dumb Waiters) from the VLVE is just dreadful by contrast to NNDBS - it's kind of a "woosified", softened, "house music" version that has too many competing styles and instrumentation that doesn't gel with the tough-guy nature of the lyrics - the New Noise version just kicks ass. "Street Riotin'" is probably my favorite track from this album; love the "Anger is a war on energy, generate hate for your enemy" lyric and the tracks simple, driving forward vibe... it feels like a PWEI track that would have fallen between CFS and LOTL.
The best thing about this album is that it helps me see exactly why Graham made the choices he made with NNDBS... and they were all the right choices. I still would have liked to see "Demon" and "Street Riotin'" on New Noise, but I guess there's a good reason he didn't use them... could even be that they just didn't sound right after working on and listening to them for 7 years.